{"id":1598,"date":"2018-04-12T11:29:46","date_gmt":"2018-04-12T09:29:46","guid":{"rendered":"https:\/\/confluences-melodie.com\/?page_id=1598"},"modified":"2018-04-12T14:47:09","modified_gmt":"2018-04-12T12:47:09","slug":"composers","status":"publish","type":"page","link":"https:\/\/confluences-melodie.com\/index.php\/en\/composers\/","title":{"rendered":"Composers"},"content":{"rendered":"<p>[et_pb_section bb_built=\u00a0\u00bb1&Prime; _builder_version=\u00a0\u00bb3.0.47&Prime;][et_pb_row custom_padding=\u00a0\u00bb0px|0px|0px|0px\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.82&Prime;][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_text _builder_version=\u00a0\u00bb3.0.82&Prime; background_layout=\u00a0\u00bblight\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb box_shadow_position=\u00a0\u00bbouter\u00a0\u00bb]<\/p>\n<h1 style=\"text-align: center;\"><span style=\"color: #910942;\">Composers<\/span><\/h1>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row make_fullwidth=\u00a0\u00bbon\u00a0\u00bb custom_padding=\u00a0\u00bb44px|0px|20px|0px\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.82&Prime; background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_4&Prime;][et_pb_text _builder_version=\u00a0\u00bb3.0.82&Prime; text_orientation=\u00a0\u00bbjustified\u00a0\u00bb background_layout=\u00a0\u00bblight\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb box_shadow_position=\u00a0\u00bbouter\u00a0\u00bb module_alignment=\u00a0\u00bbjustified\u00a0\u00bb]<\/p>\n<p><span style=\"font-size: small;\"><strong>Known composers<\/strong><\/span><\/p>\n<p><span style=\"font-size: small;\">Maurice RAVEL (1875-1937)<\/span><br \/>\n<span style=\"font-size: small;\"> Darius MILHAUD (1892-1974)<\/span><br \/>\n<span style=\"font-size: small;\"> Arthur HONEGGER (1892-1955)<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][et_pb_text _builder_version=\u00a0\u00bb3.0.82&Prime; text_orientation=\u00a0\u00bbjustified\u00a0\u00bb background_layout=\u00a0\u00bblight\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb box_shadow_position=\u00a0\u00bbouter\u00a0\u00bb module_alignment=\u00a0\u00bbjustified\u00a0\u00bb]<\/p>\n<p><span style=\"font-size: small;\"><strong>Rare composers<\/strong><\/span><\/p>\n<p><span style=\"font-size: small;\">L\u00e9on ALGAZI (1890-1971)<\/span><br \/>\n<span style=\"font-size: small;\"> Louis AUBERT (1877-1968)<\/span><br \/>\n<span style=\"font-size: small;\"> Manuel ROSENTHAL (1904-2003)<\/span><br \/>\n<span style=\"font-size: small;\"> Alexandre TANSMAN (1897-1986)<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][et_pb_text _builder_version=\u00a0\u00bb3.0.82&Prime; text_orientation=\u00a0\u00bbjustified\u00a0\u00bb background_layout=\u00a0\u00bblight\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb box_shadow_position=\u00a0\u00bbouter\u00a0\u00bb module_alignment=\u00a0\u00bbjustified\u00a0\u00bb]<\/p>\n<p><span style=\"font-size: small;\"><strong>Unearted\u00a0 composers<\/strong><\/span><\/p>\n<p><span style=\"font-size: small;\">Vladimir DYCK (1882-1943)<\/span><br \/>\n<span style=\"font-size: small;\"> Paul MARTINEAU (1890-1915)<\/span><br \/>\n<span style=\"font-size: small;\"> Louis SAGUER (1907-1991)<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_4&Prime;][et_pb_text _builder_version=\u00a0\u00bb3.0.82&Prime; text_orientation=\u00a0\u00bbjustified\u00a0\u00bb background_layout=\u00a0\u00bblight\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb box_shadow_position=\u00a0\u00bbouter\u00a0\u00bb module_alignment=\u00a0\u00bbjustified\u00a0\u00bb]<\/p>\n<p><span style=\"font-size: small;\"><strong>Composers of today\u00a0<\/strong><\/span><\/p>\n<p><span style=\"font-size: small;\">Graciane FINZI (1945)<\/span><br \/>\n<span style=\"font-size: small;\"> Nicolas BACRI (1961)<\/span><br \/>\n<span style=\"font-size: small;\"> Vincent BOUCHOT (1966)<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=\u00a0\u00bb0px|0px|0px|0px\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.82&Prime;][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_image src=\u00a0\u00bbhttps:\/\/confluences-melodie.com\/wp-content\/uploads\/2017\/10\/Carte-compositeurs-1.jpg\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.82&Prime; max_width=\u00a0\u00bb85%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb animation_style=\u00a0\u00bbfade\u00a0\u00bb animation_duration=\u00a0\u00bb1350ms\u00a0\u00bb]<\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=\u00a0\u00bb0px|0px|0px|0px\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.47&Prime; background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb _i=\u00a0\u00bb3&Prime; _address=\u00a0\u00bb0.3&Prime;][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_text _builder_version=\u00a0\u00bb3.0.82&Prime; background_layout=\u00a0\u00bblight\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb box_shadow_position=\u00a0\u00bbouter\u00a0\u00bb]<\/p>\n<p style=\"text-align: right;\"><span style=\"color: #333333;\">\u00a9 Matthieu Fayette\u00a0<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=\u00a0\u00bb13px|0px|0px|0px\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.47&Prime; background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb _i=\u00a0\u00bb4&Prime; _address=\u00a0\u00bb0.4&Prime;][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_text _builder_version=\u00a0\u00bb3.0.82&Prime; background_layout=\u00a0\u00bblight\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb box_shadow_position=\u00a0\u00bbouter\u00a0\u00bb]<\/p>\n<h2 style=\"text-align: center;\"><span style=\"color: #910942;\">Three female composers on the programme<\/span><\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row custom_padding=\u00a0\u00bb49px|0px|0px|0px\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.82&Prime; background_size=\u00a0\u00bbinitial\u00a0\u00bb background_position=\u00a0\u00bbtop_left\u00a0\u00bb background_repeat=\u00a0\u00bbrepeat\u00a0\u00bb][et_pb_column type=\u00a0\u00bb1_3&Prime;][et_pb_image src=\u00a0\u00bbhttps:\/\/confluences-melodie.com\/wp-content\/uploads\/2017\/10\/833-9-e1508861944674.jpg\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.82&Prime;]<\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb3.0.82&Prime; text_orientation=\u00a0\u00bbjustified\u00a0\u00bb background_layout=\u00a0\u00bblight\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb box_shadow_position=\u00a0\u00bbouter\u00a0\u00bb module_alignment=\u00a0\u00bbjustified\u00a0\u00bb]<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #910942;\"><strong>Elsa Barraine<\/strong>\u00a0<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">A disciple of Paul Dukas, Elsa Barraine was awarded the Prix de Rome at the age of nineteen. Director of the Orchestre National (National Orchestra) from 1944 to 1946, she finished her career as a national inspector of Opera Houses, under the supervision of the Ministry of Culture. As a Jewish woman, activist, and communist engaged in the R\u00e9sistance, she participated in the creation of the National Front of Musicians intended to prevent musicians from collaborating with the Germans. It is thanks to her and her networks of <em>r\u00e9sistants<\/em> that the composer Louis Sager, whose real name was Ludwig Wolfgang Simoni, obtained his \u201creal-forged documents\u201d. Her Three Children\u2019s Songs, composed on the Hebrew texts of Ha\u00efm Nahman Bialik, held my attention as well as her Four Hebrew M\u00e9lodies, a mixture of French <em>m\u00e9lodies <\/em>and cabaret songs.<\/span><\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3&Prime;][et_pb_image src=\u00a0\u00bbhttps:\/\/confluences-melodie.com\/wp-content\/uploads\/2017\/10\/250px-Verdina-Shlonsky_0002-e1508922789403.jpg\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.82&Prime; max_width=\u00a0\u00bb76%\u00a0\u00bb custom_margin=\u00a0\u00bb|||\u00a0\u00bb custom_padding=\u00a0\u00bb|||\u00a0\u00bb]<\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb3.0.82&Prime; text_orientation=\u00a0\u00bbjustified\u00a0\u00bb background_layout=\u00a0\u00bblight\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb box_shadow_position=\u00a0\u00bbouter\u00a0\u00bb module_alignment=\u00a0\u00bbjustified\u00a0\u00bb]<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #910942;\"><strong>Verdina Schlonsky<\/strong>\u00a0<\/span><\/p>\n<p>A forgotten talent, Verdina Schlonsky was a gifted pianist. Disciple of Nadia Boulanger at the Conservatoire National de Paris, she received the \u201cAssistance to Professional Women Musical Prize\u201d in 1930. A surprizing award at the time, it was presented to her for her \u201c<strong>Po\u00e8me h\u00e9bra\u00efque<\/strong>\u201d, based on a poem by her brother, the great poet Abraham Schlonsky. This work caught my full attention: it is the fourth among six in her collection of \u201c<strong>Palestianian Images<\/strong>\u201d. They were originally sung in Hebrew but each have a French version. Though unfortunately forgotten, Verdina Schlonsky can be considered as the first Israeli female composer.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\u00a0\u00bb1_3&Prime;][et_pb_image src=\u00a0\u00bbhttps:\/\/confluences-melodie.com\/wp-content\/uploads\/2017\/10\/arton56072.jpg\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.82&Prime; max_width=\u00a0\u00bb98%\u00a0\u00bb]<\/p>\n<p>&nbsp;<\/p>\n<p>[\/et_pb_image][et_pb_text _builder_version=\u00a0\u00bb3.0.82&Prime; text_orientation=\u00a0\u00bbjustified\u00a0\u00bb background_layout=\u00a0\u00bblight\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb box_shadow_position=\u00a0\u00bbouter\u00a0\u00bb module_alignment=\u00a0\u00bbjustified\u00a0\u00bb]<\/p>\n<p style=\"text-align: center;\"><span style=\"color: #910942;\"><strong>Graciane Finzi<\/strong>\u00a0<\/span><\/p>\n<p>Graciane Finzy writes: \u201cNothing is deeper or more moving for a composer than to write from a sacred text, and to allow oneself to give sounds to words that have infinite meaning, to respect the atmosphere of reverence induced by the liturgy by using a voice, a piano and a cello, all in service of the text. But like all music written from a religious text, this Kaddish, like Ravel\u2019s, must also lend itself to being played in a profane context, a concert hall or any other public venue. For that matter, it was put on by its creator, Abdellah Lasri, at the Essaouira Festival in Marocco.\u201d<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section bb_built=\u00a0\u00bb1&Prime; fullwidth=\u00a0\u00bboff\u00a0\u00bb specialty=\u00a0\u00bboff\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.82&Prime; box_shadow_position=\u00a0\u00bbouter\u00a0\u00bb global_module=\u00a0\u00bb1657&Prime;][et_pb_row global_parent=\u00a0\u00bb1657&Prime;][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_divider global_parent=\u00a0\u00bb1657&Prime; color=\u00a0\u00bb#910942&Prime; show_divider=\u00a0\u00bbon\u00a0\u00bb divider_style=\u00a0\u00bbsolid\u00a0\u00bb divider_position=\u00a0\u00bbtop\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.82&Prime; \/][\/et_pb_column][\/et_pb_row][et_pb_row global_parent=\u00a0\u00bb1657&Prime;][et_pb_column type=\u00a0\u00bb4_4&Prime;][et_pb_text global_parent=\u00a0\u00bb1657&Prime; _builder_version=\u00a0\u00bb3.0.82&Prime; text_font=\u00a0\u00bbGeorgia||||\u00a0\u00bb background_layout=\u00a0\u00bblight\u00a0\u00bb border_style=\u00a0\u00bbsolid\u00a0\u00bb box_shadow_position=\u00a0\u00bbouter\u00a0\u00bb]<\/p>\n<h3 style=\"text-align: center;\"><span style=\"color: #910942;\"><b>Partnerships<\/b><\/span><\/h3>\n<p>[\/et_pb_text][et_pb_image global_parent=\u00a0\u00bb1657&Prime; src=\u00a0\u00bbhttps:\/\/confluences-melodie.com\/wp-content\/uploads\/2017\/10\/partenaires-confluences.png\u00a0\u00bb align=\u00a0\u00bbcenter\u00a0\u00bb _builder_version=\u00a0\u00bb3.0.82&Prime; max_width=\u00a0\u00bb70%\u00a0\u00bb module_alignment=\u00a0\u00bbcenter\u00a0\u00bb \/][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Composers Known composers Maurice RAVEL (1875-1937) Darius MILHAUD (1892-1974) Arthur HONEGGER (1892-1955) Rare composers L\u00e9on ALGAZI (1890-1971) Louis AUBERT (1877-1968) Manuel ROSENTHAL (1904-2003) Alexandre TANSMAN (1897-1986) Unearted\u00a0 composers Vladimir DYCK (1882-1943) Paul MARTINEAU (1890-1915) Louis SAGUER (1907-1991) Composers of today\u00a0 Graciane FINZI (1945) Nicolas BACRI (1961) Vincent BOUCHOT (1966) &nbsp; \u00a9 Matthieu Fayette\u00a0 Three female [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1598","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v25.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Les compositeurs au programme du concert Confluence{s}<\/title>\n<meta name=\"description\" content=\"Pr\u00e9sentation des compositeurs, connus ou m\u00e9connus, disparus ou contemporains pr\u00e9sent\u00e9s au programme du concert Confluence{s}\" \/>\n<meta name=\"robots\" content=\"index, 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